It’s all in the Mind
Posted: Sun Sep 27, 2020 8:21 am
A good page from James today https://www.sexyloops.com/index.php/ps/ ... n-the-mind
I’ve usually fared well in overhead competitions. Accuracy however that’s another story for me. No doubt because I don’t practise anything like as much as I do for distance. I have had problems in the WCs 5WT. But maybe not making the line too slick to handle, not putting the line on the water instead of the platform, not borrowing gear from others might be a good list for me! Hopefully I won’t get to add to that list next year
But in terms of actual casting I’ve regularly thrown better in competition than in practise.
I think that there are a number of things at play here. The first is casting when other people are watching. James seems to experience this problem and I know he is certainly not alone. Just about everyone has this problem. Not only in competition but also when coming for a lesson. The mind thinks “I’m being watched” and the body tenses up.
For me I think casting and teaching in public, and giving demos at fairs, which absolutely scared the shit out of me in my mid 20s, actually turned out to be a good thing. There my focus was in trying to talk down a microphone to a crowd eating sandwiches and actually because of this good casting has always been trying easy - I was never worried about that bit; it was the hundreds of people I was talking to that concerned me
Funny I’m fine with that too nowadays. Probably just an age thing. Now I actually enjoy it!
Funny though, I really don’t like public speaking without a rod in my hands. Mark Surtees imagines that everyone is naked, not only that but at an AAPGAI meet while giving a definitions talk, he actually told them that
Anyway the best way to deal with being watched is to be watched. One way to deal with it is to try to ignore it and focus on the groove. The other is to demonstrate. Mid 20s onwards I cast a lot in public and I’m very comfortable with it. I would go to trade shows and there would be an indoor pool with no one casting - I would always be the first one casting.
There is another problem in competition however. When we practise we cast for hours and hours. We find a groove and everything flows. In competition we stand around for hours and hours and then we walk up to the platform and have 2 or 3 minutes to find that groove. And that is hard.
So what I do is train that way. Start from cold. Two minutes or whatever it is to get those big casts hooked up. I have a routine. Fist cast 75% power, straight down the line. I think body shift and form. I think targets. I think straight. Next cast open up slightly, maybe 85%, trying to hit it late, leading with the butt. Straight. Third cast 95% working on the launch. And then it’s flat out. I (almost) always go on the third cast. I breathe around this - in, hold, out, in, hold, out. And always try to remember to breathe while retrieving and placing the line.
I try to feel that I own everything I can see. The course, the platform, the crowd, everything around me, even the competition itself. When I’m in the groove I feel it happening late, and directed towards my targets way off into the distance, and I feel like I’m standing on top of the world.
I’m sure that we are all different, but being comfortable casting in public is going to help, so make yourself do it and best of all make it harder by teaching them. And to deal with casting from cold, have a little casting cycle that you use to enable you to throw your best in the time allowed. That drill is very, very important for me.
I’ve personally never cared about winning or losing. I just want to throw my best. So long as I do that then I’m always happy.
Cheers, Paul
I’ve usually fared well in overhead competitions. Accuracy however that’s another story for me. No doubt because I don’t practise anything like as much as I do for distance. I have had problems in the WCs 5WT. But maybe not making the line too slick to handle, not putting the line on the water instead of the platform, not borrowing gear from others might be a good list for me! Hopefully I won’t get to add to that list next year

But in terms of actual casting I’ve regularly thrown better in competition than in practise.
I think that there are a number of things at play here. The first is casting when other people are watching. James seems to experience this problem and I know he is certainly not alone. Just about everyone has this problem. Not only in competition but also when coming for a lesson. The mind thinks “I’m being watched” and the body tenses up.
For me I think casting and teaching in public, and giving demos at fairs, which absolutely scared the shit out of me in my mid 20s, actually turned out to be a good thing. There my focus was in trying to talk down a microphone to a crowd eating sandwiches and actually because of this good casting has always been trying easy - I was never worried about that bit; it was the hundreds of people I was talking to that concerned me

Funny though, I really don’t like public speaking without a rod in my hands. Mark Surtees imagines that everyone is naked, not only that but at an AAPGAI meet while giving a definitions talk, he actually told them that

Anyway the best way to deal with being watched is to be watched. One way to deal with it is to try to ignore it and focus on the groove. The other is to demonstrate. Mid 20s onwards I cast a lot in public and I’m very comfortable with it. I would go to trade shows and there would be an indoor pool with no one casting - I would always be the first one casting.
There is another problem in competition however. When we practise we cast for hours and hours. We find a groove and everything flows. In competition we stand around for hours and hours and then we walk up to the platform and have 2 or 3 minutes to find that groove. And that is hard.
So what I do is train that way. Start from cold. Two minutes or whatever it is to get those big casts hooked up. I have a routine. Fist cast 75% power, straight down the line. I think body shift and form. I think targets. I think straight. Next cast open up slightly, maybe 85%, trying to hit it late, leading with the butt. Straight. Third cast 95% working on the launch. And then it’s flat out. I (almost) always go on the third cast. I breathe around this - in, hold, out, in, hold, out. And always try to remember to breathe while retrieving and placing the line.
I try to feel that I own everything I can see. The course, the platform, the crowd, everything around me, even the competition itself. When I’m in the groove I feel it happening late, and directed towards my targets way off into the distance, and I feel like I’m standing on top of the world.
I’m sure that we are all different, but being comfortable casting in public is going to help, so make yourself do it and best of all make it harder by teaching them. And to deal with casting from cold, have a little casting cycle that you use to enable you to throw your best in the time allowed. That drill is very, very important for me.
I’ve personally never cared about winning or losing. I just want to throw my best. So long as I do that then I’m always happy.
Cheers, Paul